Peters is pretty sure his artist father worked on scenery at the Latvian National Opera. However, this program predates that time. The program does not list the year, but April 17th fell on a Tuesday only in 1923 and 1934. Since the program includes a review of the ballet in 1922, it must date to 1923.

Browse through our annotated restored copy in the gallery below, or js/index.html.

Performance schedule

The majority of works on the schedule would be familiar to today's casual opera listeners. There are also lesser-known operas in Russian and German, as well as original works in Latvian, reflecting Rīga's cosmopolitan nature.

Tuesday,April 17Charles Gounod  —  Faust
Wednesday,April 18Anton Rubenstein  —  The Demon
Thursday,April 19Otto Nicolai  — The Merry Wives of Windsor
Saturday,April 21Symphonic concert
Sunday,April 22Jacques Offenbach  —  The Tales of Hoffman (2pm matinée)
  Richard Strauss  —  Salome (7pm evening performance)
Tuesday,April 24Giuseppe Verdi  —  Rigoletto
Wednesday,April 25Jacques Offenbach  —  The Tales of Hoffman
Thursday,April 26Ballet
Saturday,April 28Georges Bizet  —  Carmen

Even after independence, Latvian "cultured" society continued to be German-influenced. As you leaf through the program, you will notice numerous photographs of performers and scenes from Otto Nicolai's opera Die lustigen Weiber von Windsor (The Merry Wives of Windsor) — based on Shakespeare's play. Composed from 1845 to 1849, Nicolai's opera is considered his German-language masterpiece and remains popular in Germany to this day, and its overture is featured in the orchestral repertoire as stand-alone work. (Overture with score on YouTube)

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